Siempre Natural serves wraps, pitas, yogurts and salads with natural fruit drinks. To promote the healthy (and tasty) brand, the new TV spots would need to be as colorful, fresh, and fun, as their food.
Blog
Working With LUTs
A member of DVXuser posted a question about LUT workflow and this was my answer.
“The Asylum” Spec Trailer with DVX200
On the set of a horror movie spec trailer, a cinematographer tests his theory that the Panasonic AG-DVX200 can be a formidable cinema camera.
DREAM for Edcouch-Elsa ISD School Board Candidate Films
I produced “meet the candidate” films for the DREAM campaigners for EEISD school board membership with my new Panasonic DVX200 in Vlog-L.
Why I Will Not Fly a Drone for Work…Yet
As the client demand for aerial footage increases, I take a look into how I can provide this service safely and legally. Is the juice worth the squeeze? The short answer: it really isn’t.
Panasonic AG-DVX200 Consideration
There’s something very appealing about a camera being able to shoot real DCI 4K in true 24 fps with an intra-frame codec and logarithmic profile.
Achieving the Film “Look”
What really makes the difference in achieving the look of film in the digital age? A cinematographer proposes his answer.
SLR Magic APO-HyperPrime Cine 50mm T2.1 Early Adoption
Taking advantage of the early adoption special for the new APO 50mm cine lens by SLR Magic.
Gaffing a Church Promo Video Shoot
A trial-by-fire of my new set of Yongnuo YN-600L bi-color LED lights at a down-and-dirty on-location video shoot.
Bert Ogden TV Spots Filmed with Blackmagic Cinema Camera 2.5K EF
“Ready, shoot, run” with the Blackmagic Cinema Camera at a local car dealership.
Botanical Gardens video made with iPhone 6
Shooting and editing a vacation video with iMovie.
How I Chose the 17-40 f/4 L
I had a dilemma at one point when I considered the following lenses: Canon EF 24-70 f/2.8 L USM vs Sigma 24-70 EX DG MACRO. So, how did I wind up choosing the Canon EF 17-40 f/4 L USM lens?