I’m In Love With The Sony FX9

Sony PXW-FX9

Looking for a companion for my FS7M2, I’m giddy with excitement about Sony’s upcoming full-frame 6K camera.

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Blackmagic Pocket Cinema Camera 6K Announced

ProEXR File Description =Attributes= cameraAperture (float): 36 cameraFNumber (float): 8 cameraFarClip (float): 1e+30 cameraFarRange (float): 1e+18 cameraFocalLength (float): 40 cameraFov (float): 14.6528 cameraNearClip (float): 0 cameraNearRange (float): 0 cameraProjection (int): 0 cameraTargetDistance (float): 2.21183 cameraTransform (m44f): [{0.888939, -0.450476, -0.0828106, -0.43253}, {1.41103e-17, 0.180799, -0.98352, 0.207263}, {0.458025, 0.87429, 0.16072, 0.778948}, {0, 0, 0, 1}] channels (chlist) compression (compression): Zip dataWindow (box2i): [0, 0, 5999, 3599] displayWindow (box2i): [0, 0, 5999, 3599] lineOrder (lineOrder): Increasing Y name (string): "" pixelAspectRatio (float): 1 screenWindowCenter (v2f): [0, 0] screenWindowWidth (float): 1 type (string): "scanlineimage" vrayInfo/vrayrevision (string): "28079 Feb 27 2018 02:25:11" =Channels= A (half) Ambient Occlusion Output.B (half) Ambient Occlusion Output.G (half) Ambient Occlusion Output.R (half) B (half) Black Anodised Alpha (2).B (half) Black Anodised Alpha (2).G (half) Black Anodised Alpha (2).R (half) Black Anodised Glossier Alpha (2).B (half) Black Anodised Glossier Alpha (2).G (half) Black Anodised Glossier Alpha (2).R (half) Black Anodised Inner Alpha (2).B (half) Black Anodised Inner Alpha (2).G (half) Black Anodised Inner Alpha (2).R (half) Black Metal Grain Alpha (2).B (half) Black Metal Grain Alpha (2).G (half) Black Metal Grain Alpha (2).R (half) Black Perforated Alpha (2).B (half) Black Perforated Alpha (2).G (half) Black Perforated Alpha (2).R (half) Black Plastic Gloss Alpha (2).B (half) Black Plastic Gloss Alpha (2).G (half) Black Plastic Gloss Alpha (2).R (half) Button Black Gloss Alpha (2).B (half) Button Black Gloss Alpha (2).G (half) Button Black Gloss Alpha (2).R (half) Button Black Satin Alpha (2).B (half) Button Black Satin Alpha (2).G (half) Button Black Satin Alpha (2).R (half) Diffuse Shading (Total) Output.B (half) Diffuse Shading (Total) Output.G (half) Diffuse Shading (Total) Output.R (half) G (half) GP (2).B (half) GP (2).G (half) GP (2).R (half) Hero Black Rubber Alpha (2).B (half) Hero Black Rubber Alpha (2).G (half) Hero Black Rubber Alpha (2).R (half) Lens Mount SSteel Alpha (2).B (half) Lens Mount SSteel Alpha (2).G (half) Lens Mount SSteel Alpha (2).R (half) R (half) RGB color denoised.B (half) RGB color denoised.G (half) RGB color denoised.R (half) Reflection Shading Output.B (half) Reflection Shading Output.G (half) Reflection Shading Output.R (half) Specular Shading Output.B (half) Specular Shading Output.G (half) Specular Shading Output.R (half) Surface ID Output.B (half) Surface ID Output.G (half) Surface ID Output.R (half) Z (float) atmosphere.B (half) atmosphere.G (half) atmosphere.R (half) background.B (half) background.G (half) background.R (half) defocusAmount (half) diffuseFilter.B (half) diffuseFilter.G (half) diffuseFilter.R (half) effectsResult.B (half) effectsResult.G (half) effectsResult.R (half) globalIllumination.B (half) globalIllumination.G (half) globalIllumination.R (half) lighting.B (half) lighting.G (half) lighting.R (half) noiseLevel (half) reflectionFilter.B (half) reflectionFilter.G (half) reflectionFilter.R (half) refraction.B (half) refraction.G (half) refraction.R (half) refractionFilter.B (half) refractionFilter.G (half) refractionFilter.R (half) worldNormals.X (half) worldNormals.Y (half) worldNormals.Z (half) worldPositions.X (float) worldPositions.Y (float) worldPositions.Z (float)

A 6K, Super 35, BRAW, EF lens mount, tiny little powerhouse.

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My Next Camera Revealed

I have finally decided on my next cinema camera: the Sony FS7M2. Find out why.

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What’s Inside the South Texas ISD TV Spots

Production of 28 television spots, 14 radio spots, 7 interviews, hundreds of photos, and coordination of an entire magnet school district across three counties.

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Fujifilm X100F: Why I Love It

Processed with VSCO with wwf preset

X100F is an amazing little camera. It is helping rekindle my burnt-out love for photography.

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Panasonic’s “Next Camera”

Panasonic has announced a new cinema camera at NAB Show 2017 this week. However, that’s all anyone really knows.

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“The Asylum” Spec Trailer with DVX200

My DVX200 on set of The Asylum spec trailer. That’s an LED topper, or an “Obie” as we like to call them here in the USA, for subtle fill light.

On the set of a horror movie spec trailer, a cinematographer tests his theory that the Panasonic AG-DVX200 can be a formidable cinema camera.

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Panasonic AG-DVX200 Consideration

There’s something very appealing about a camera being able to shoot real DCI 4K in true 24 fps with an intra-frame codec and logarithmic profile.

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Achieving the Film “Look”

What really makes the difference in achieving the look of film in the digital age? A cinematographer proposes his answer.

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