Is It Worth Investing In Lenses For Micro 4/3”?

My DVX200 on set of The Asylum spec trailer. That’s an LED topper, or an “Obie” as we like to call them here in the USA, for subtle fill light.

Is it really about lenses, or is it about something more essential?

Published
Categorized as Editorial

My Cameras: A History

Photography, cinematography, filmmaking, cameras; all have been a large part of my life from the very beginning. Following is a history of my cameras (and me) throughout the years.

Published
Categorized as Personal

What’s Inside the South Texas ISD TV Spots

Production of 28 television spots, 14 radio spots, 7 interviews, hundreds of photos, and coordination of an entire magnet school district across three counties.

Published
Categorized as News

Panasonic’s “Next Camera”

Panasonic has announced a new cinema camera at NAB Show 2017 this week. However, that’s all anyone really knows.

Published
Categorized as News

Siempre Natural

Siempre Natural serves wraps, pitas, yogurts and salads with natural fruit drinks. To promote the healthy (and tasty) brand, the new TV spots would need to be as colorful, fresh, and fun, as their food.

Working With LUTs

A member of DVXuser posted a question about LUT workflow and this was my answer.

Published
Categorized as Personal

“The Asylum” Spec Trailer with DVX200

My DVX200 on set of The Asylum spec trailer. That’s an LED topper, or an “Obie” as we like to call them here in the USA, for subtle fill light.

On the set of a horror movie spec trailer, a cinematographer tests his theory that the Panasonic AG-DVX200 can be a formidable cinema camera.

Published
Categorized as News

Panasonic AG-DVX200 Consideration

There’s something very appealing about a camera being able to shoot real DCI 4K in true 24 fps with an intra-frame codec and logarithmic profile.

Published
Categorized as News