Tag: director of photography

  • Tempo featuring Rachael Lampa

    Tempo featuring Rachael Lampa

    Making something special at Tempo Nashville for musician Javier Solis and producer Tim Romero yesterday. We transformed the storied coffee shop into a production studio for the day. And despite the rain and allergy attacks, we managed to film a great interview and live music session with the incomparable Rachael Lampa and a live music audience. With two distinct lighting universes, two distinct camera setups featuring five total cameras, from load-in to load-out all in 9.5 hours with a two-man crew. Exhausting, but absolutely glorious. I’m very happy with the results and can’t wait to see the finished product.

    talent:
    Rachael Lampa
    Javier Solis

    band:
    Javier Solis
    Tommy Sims
    Uriah Zeph Solis
    Grant Pittman

    bg vocals:
    Rob
    Kynadie

    live sound:
    Abel Orta
    Luke

    tempo:
    Yvonne Solis
    Zylah Solis

    executive producer:
    Javier Solis

    producer / editor / cam op / grip:
    Tim Romero

    dp / cam op / gaffer / key grip / dit / sound:
    Jason R. Johnston

    hmua:
    Brie Beckman

    production equipment:
    Fifty Oars Motion Pictures

  • Why are we called Directors of Photography?

    Why are we called Directors of Photography?

    This is my understanding: “-graphy” is writing or drawing — I like to say painting since it’s more romantic — and “photo” is light; literally the photons that produce the spectrums of visible, IR and UV light disseminated by our eyes and brains. “Photography” is therefore painting (or writing or drawing) with light.

    There is stills photography, and motion photography which can be for cinema or video; we say videography and cinematography, respectively. The difference between them is a videographer captures moments whereas a cinematographer creates moments.

    The director of photography is an upper-middle-level management position on a film or television set, responsible for overseeing several different departments related to creating the image on screen. The DP is mostly concerned with the organization of those departments, collaborating with the director/s, art director/production designer, and producer/s with the visual tone of the work, and supervising the execution of that work via the team members of each department underneath the DP. The DP usually sits with the director in video village and rarely operates or digs in with the crew while the cameras are rolling.

    It is my understanding that DPs who tend to be entrenched with the camera crew and personally operate the A camera prefer to be called cinematographers on set, though they are cinematographers by artistic profession and choice whereas “director of photography” is merely a title or honorific.

    I almost always operate, and almost always gaffe, and prefer the term cinematographer, but I will always turn my head and smile when I hear someone affectionately refer to me as DP.