Iron Calling’s entry to the Nashville 54 Hour Film Fest 2022 contest.
Credits
director: JASON R. JOHNSTON
writer: VICTORIA KEUM JEE
producers: WALTER H. LEWIS III, WILLIE SIMS, JIM ADAMS IV
CAST
(in order of appearance)
Shelby: JAMIE ROBINSON
Mickey: JIM ADAMS IV
Petra: VICTORIA KEUM JEE
Hector: BRIAN JERVAY
Lazarus: BIG FELLA
CREW
cinematographer, editor, colorist, sound editor: JASON R. JOHNSTON
sound recordist, boom operator: Kristy Bradford
music supervision: ISLAND HUSTLE
score: RANDY HENDRICKES, SAM BROOKS
ac: COLLEEN STEINER
grip, BTS doc: THEO
featured artist in gallery: JOE GEIS
locations: Fort Houston, State Gallery And Studios, Fellavision Studios, Tennessee Railroad Museum
production equipment and post production services provided by: FIFTY OARS MOTION PICURES LLC
Awards
Nashville 54 Film Festival 2022 — March 24, 2022
| Best Film | Won |
| Audience Favorite – Block C | Won |
| Best Actor — Brian Jervay | Won |
| Best Cinematography — Jason R. Johnston | Won |
| Best Editing — Jason R. Johnston | Won |
| Best Production Design | Won |
| Best Use of Elements | Runner up |
| Best Use of Genre | Runner up |
| Best Movie Trailer | Runner up |
| Best BTS Documentary | Runner up |
| Judges Choice | Nominated |
| Best Director — Jason R. Johnston | Nominated |
| Best Supporting Actor — Big Fella | Nominated |
| Best Supporting Actress — Victoria Keum Jee | Nominated |
| Best Supporting Actress — Jamie Robinson | Nominated |
| Best Ensemble | Nominated |
| Best Original Score | Nominated |
| Best Sound Design | Nominated |
| Best Wardrobe | Nominated |
| Best Use of Curveball | Nominated |
| Best Movie Poster | Nominated |
Technical Specifications
| Run Time | 5 min 16 sec |
| Aspect Ratio | 2.37∶1 acquisition: 2.53:1 anamorphic cropped to 2.37:1 (FS7) |
| Camera | Sony PXW-FS7 Mark II Sony α6400 |
| Lenses | SIRUI E 35mm f/1.8 1.33x anamorphic SIRUI E 50mm f/1.8 1.33x anamorphic |
| Production Companies | Iron Calling Fellavision Fifty Oars Motion Pictures Castlewoods Productions |
| Negative Format | XAVC-I (DCI 4K) (4096×2160) (FS7) XAVC-S 4K (UHD) (3840×2160) (α6400) S-Log3/S-Gamut3.cine |
| Cinematographic Process | ProRes 422 HQ (DCI 4K) |
