Affordable 8K Digital Cinema Production
I am an award-winning cinematographer with over twenty years of experience in the motion picture and television production industries. I can be hired solo, or with a wet rental camera, lighting, and grip package customized for your project.
Digital Cine Cameras
- RED V-RAPTOR XE (coming soon)
- 8K VistaVision
- RF mount
- 8K VV 35.4MP Global Shutter CMOS:
- Size: 40.96 x 21.6mm
- Resolution: 8192 x 4320 pixels
- Diagonal: 46.31mm
- RED KOMODO-X (coming soon)
- 6K Super 35
- RF mount
- 6K S35 19.9 MP Global Shutter CMOS:
- Size: 27.03 x 14.26mm
- Resolution: 6144 x 3240 pixels
- Diagonal: 30.56mm
- RED KOMODO
- 6K Super 35 digital cinema camera
- RF mount
- 6K S35 19.9 MP Global Shutter CMOS:
- Size: 27.03 x 14.26mm
- Resolution: 6144 x 3240 pixels
- Diagonal: 30.56mm
- RF Accessories
- Metabones PL–RF T CINE SpeedBooster ULTRA 0.71x II
- RF–EF adapter with VND+Clear
- RF–PL adapter with VND+Clear
- EF–PL lens mount adapter
- Nikon ZR (coming soon)
- 6K FF
- native Z mount
- 6K FF 24.5MP (FX) CMOS
- Sensor Size: 35.9 x 23.9mm
- Sony PXW-FS7 Mark II
- 4K Super 35 digital cinema camera
- native E mount
- Sony α6400 (ILCE-6400L)
- UHD APS-C digital camera
- native E mount
Stills & Specialty Cameras
- Canon EOS 6D Mark II
- Canon EOS 6D
- Fuji X100F
- DJI Mavic Pro
- GoPro Hero11 Black
- GoPro Fusion 360
Gimbal
DJI Ronin-S 4 Pro
DJI Osmo Mobile 7p
- ZHIYUN WEEBILL-S
- 3-axis motorized stabilizer
- max payload: 3 kg (6.61 lbs)
Cine Lenses
Sirui Jupiter 28-85mm T3.2 Full-Frame Macro Cine Zoom (PL Mount)
Viltrox EPIC 1.33x Full-Frame Anamorphic Prime (PL Mount)
• 35mm T2
• 50mm T2
• 75mm T2
SLR Magic APO HyperPrime-Cine Full-Frame Aspherical Prime (PL Mount)
• 25mm T2.1
• 50mm T2.1
• 85mm T2.1
Stills Lenses
SIRUI 1.33x APS-C/Super 35 Anamorphic Prime (E Mount)
• 24mm f/2.8
• 35mm f/1.8
• 50mm f/1.8
• 75mm f/1.8
Aspherical Zoom (E Mount)
• 16-50mm f/3.5-5.6 E PZ OSS
• 18-105mm f/4 G E PZ OSS
• 28-135mm f/4 G FE PZ OSS
Aspherical Prime (EF Mount)
• 28mm f/1.8 USM
• 50mm f/1.4 USM
• 85mm f/1.8 USM
Aspherical Zoom (EF Mount)
• 17-40mm f/4 L USM
• 24-70mm f/2.8 L USM
• 70-200mm f/2.8 L USM
Filters
- NiSi 1.8 IRND
- SmallRig “Cine ND” 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1 IRND
- SmallRig Cine White Diffusion 1/4, 1/8
- Cavison 0.3, 0.6, 0.9 ND
- Simmod 0.4-1.8 VND
- Tiffen Black Pro Mist 1/4, 1/2
- Ultra Contrast 1, 3
- Circular Polarizer
- Tiffen T1 IR cut
Support
- Sachtler Video 18 100mm head
- Manfrotto 502HD 75mm head
- Konova S1200 4.7’ Mini-jib
- Dana Dolly (original) kit
- Benro 100mm sticks
- Benro 100mm baby sticks
- Ikan E-Image 75mm sticks
- Fat Gecko Triple + Dual suction mounts
- Filmtools Senior Equipment Cart
- “Rubbermaid” junior utility cart
Accessories
- SmallRig Modular Matte Box (114mm)
- SmallRig Mini Matte Box (95mm)
- 4×5.65” Fotga JTZ matte box (114mm)
- 4×4″ Genus Matte Box Lite
- Onetakeonly Pad Prompter
- Tilta Nucleus-M wireless FIZ
Monitoring
- Kinefinity Eagle-SDI (EVF)
- PortKeyes BM150 5.5″ (on-camera monitor)
- Lilliput 15″ monitor + VESA mount (client monitor)
- Hollyland Mars M1 Enhanced (director’s monitor)
- Hollyland Mars 400S Pro (Tx/Rx kit)
- Camvate director’s monitor cage
Comms
- (4) Hollyland Solidcom C1
LED Lighting
- (2) Aputure LS-600d + F10 fresnel + barndoors
- (2) Aputure LS-60d + softboxes
- Aputure Lightdome II + Mini II softboxes
- (2) Nanlite PavoSlim 120c
- (1) Nanlite PavoSlim 60c
- (2) Nanlite PavoTube 30x II
- (1) Nanlite PavoBulb 12-bulb kit
- (3) Falcon Eyes RX-18T 62w daylight mat light
- (2) Rayzr 7 300w daylight fresnel light
- (3) Dracast S-Series Plus LED500 daylight flat panel light
- Obie Lights: Pockelite F7 + Dracast Camlux Pro
Grip & Electric
- (4) MSE C+ Stands
- (2) MSE Combo Stands
- (2) MSE Junior Stands
- (3) MSE Reverse Stands
- (1) MSE 6×6′ frame
- (1) MSE 6×6′ Artificial Silk
- (2) MSE 4×4′ frame
- (1) MSE 4×4′ Artificial Silk
- (1) MSE 4×4′ Solid
- (1) MSE 4×4’ Silver Lame
- (2) TRP 40×40″ Solid Floppies
- (1) TRP 40×40″ Ultrabounce Floppy