The in-house production equipment. Unless I am only being hired as the DP, or as a consultant, this is what comes with me depending on the shoot.


Blackmagic Ursa Mini Pro 4.6K
coming Fall 2017
subject to change

  • Super 35 sensor
  • 4.6K Cinema DNG raw
  • ProRes 4444 XQ
  • 120fps overcrank
  • Choice of lens mount (PL, EF, B4, F)
  • Choice of media (CFast2, SSD, SDXC)
  • Blackmagic Ursa EVF
  • Blackmagic Ursa Mini Shoulder Mount Kit
  • Blackmagic Ursa Mini SSD Recorder
  • Wooden Camera D-Box (power distro)
  • Wooden Camera C-Box (signal split/convert)
  • IDX CW-1 wireless transmission system
  • SmallHD AC-7-SDI 7” field monitor
  • SmallRig top handle/top plate kit
  • SmallRig side plate
  • Anton/Bauer “Digital 90” kit (3x 93Wh 14.4v bricks + dual charger)

Blackmagic Cinema Camera 2.5K EF

  • Super 16 sensor
  • EF-mount
  • 2.5K Cinema DNG
  • ProRes 4444 XQ
  • 24/30fps
  • Viewfactor Contineo BMCC cage
  • Contineo tophandle
  • Contineo 15mm LWS baseplate
  • internal scratch audio only

SLR Magic APO Hyperprime Cine 3-lens set

  • 25mm T2.1
  • 50mm T2.1
  • 85mm T2.1
  • PL-mount
  • EF-PL adapter

Fujinon A20x8.6BRM-SD

  • 1:1.8
  • 8.6-172mm
  • B4 mount
  • 2/3” ENG EFP
  • servo zoom lens


Panasonic AG-DVX200

  • 4/3″ sensor
  • DCI 4K
  • UHD
  • Full HD 1080p
  • 24/30/60fps
  • 120fps overcrank
  • unibody


Canon EOS 6D

  • 135-format “full frame” sensor
  • 20MP, 14-bit CR2 (near 6K)
  • 17-40mm f/4L USM
  • 50mm f/1.8-II
  • 70-200mm f/2.8L USM

Fujifilm X100F


  • Tascam DR-701D 6-channel field audio recorder (4-input, 2-ch mix)
  • Panasonic AG-MC200G shotgun
  • Rode VideoMic Pro Plus shotgun
  • Rode Rodelink wireless lav system
  • Audio-Technica wired lavs


Sachtler Video 18-III fluid head (max payload 40lbs)
1×1 bi-color LED lights
1k tungsten Ianebeam Redheads
1k tungsten Ianebeam open face flood
320Ws strobes + wireless triggers
stands, gobos, scrims, butterflies, etc
matteboxes, filters, cables, etc
a bunch of other stuff

I might need a truck at some point.