Jason R. Johnston Jason R. Johnston

The in-house production equipment. Unless I am only being hired as the DP, or as a consultant, this is what comes with me depending on the shoot.


Cinema

Blackmagic Cinema Camera 2.5K EF

  • Super 16 sensor
  • EF-mount
  • 2.5K Cinema DNG
  • Full HD 1080p ProRes 422 HQ
  • 24/30fps
  • Viewfactor Contineo BMCC cage
  • Contineo tophandle
  • Contineo 15mm LWS baseplate
  • internal scratch audio only

SLR Magic APO Hyperprime Cine 3-lens set

  • 25mm T2.1
  • 50mm T2.1
  • 85mm T2.1
  • PL-mount
  • EF-PL adapter

Video

Panasonic AG-DVX200

  • 4/3″ sensor
  • DCI 4K
  • UHD
  • Full HD 1080p
  • 24/30/60fps
  • 120fps overcrank
  • unibody

Photo

Canon EOS 6D

  • 135-format “full frame” sensor
  • 20MP, 14-bit CR2 (near 6K)
  • 17-40mm f/4L USM
  • 50mm f/1.8-II
  • 70-200mm f/2.8L USM

Support

Tascam DR-701D 6-channel field audio recorder (4-input, 2-ch mix)
Sachtler Video 18-III fluid head (max payload 40lbs)
1×1 bi-color LED lights
1k tungsten Ianebeam Redheads
1k tungsten Ianebeam open face flood
320Ws strobes + wireless triggers
stands, gobos, scrims, butterflies, etc
matteboxes, filters, cables, etc
lav and shotgun microphones
a bunch of other stuff

I might need a truck at some point.